SOPA Is Dead, Says MPAA’s Chris Dodd, But What Comes Next?
Earlier this week, Chris Dodd, a 30-year veteran of the Senate and now chairman and CEO of the Motion Picture Association of America (MPAA), spoke in San Francisco at an event aimed at addressing “the shared future of the content and technology industries.” It’s a testament to the continuing impact of January’s blackout protests against Stop Online Piracy Act (SOPA) that Dodd should frame the discussion this way, and his conciliatory words during the talk struck a refreshing tone. But given that less than a year ago he was the nation’s leading advocate for a bill that would have censored large parts of the Internet, there’s still a long way to go.
Dodd made many positive comments during his speech, voicing strong support for freedom of speech online and calling on the content industry to move away from criminal actions against file-sharers. He also conceded that SOPA and PIPA are “dead,” and when pressed by EFF in discussion afterwards, he was emphatic that his organization no longer wanted to pursue legislation as the solution to the problems purportedly facing the content industry.
But let’s not forget that he serves as the chairman and CEO of one of the most influential lobbying groups in Washington, and that the actions of the industry have yet to back up his rhetoric. In fact, the evidence suggests the opposite is true.
After all, his words stand at odds with a statement in April that he was “confident” negotiations on SOPA 2.0 were taking place, and the MPAA is again distributing talking points to members of Congress touting copyright maximalism. We also know SOPA’s author Lamar Smith tried to re-introduce components of that bill again in July. And even now, the content industry’s “six strikes” agreement with ISPs is moving forward, and US Trade Representatives are secretly negotiation dangerous new copyright rules into international agreements like the Transpacific Partnership Agreement (TPP).
Dodd’s statements, such as “I would do anything and everything I could to protect the vitality of the internet,” stand in stark contrast to the content industry’s advocacy for the due-process-free domain name seizures conducted by Homeland Security during the past two years. Websites accused of copyright infringement on flimsy evidence were censored for a more than a year before the Justice Department abandoned the cases with no explanation. The Justice Department’s prosecution of Megaupload, a case now falling apart, also led to many innocent people losing property they stored online.
Unfortunately, Dodd’s most impassioned advocacy for the First Amendment came not when sticking up for the Internet, but when defending his job lobbying. The man who once pledged he would not become a lobbyist when he left the Senate, said freedom of speech is “critically important” because it allows lobbyists — now “experts” in his view — to inform legislators about the issues. But when members of the public speak out in one of the largest grassroots efforts in US history, Dodd and the MPAA derided it as a “stunt” and a “gimmick” and accused companies that participated in the protest of an “abuse of power.”
But more broadly, Dodd’s speech indicated that the MPAA and other content groups still remain fiercely opposed to evidence-based policy-making, in legislation and other areas. Even as Dodd pulled the heartstrings with stirring words about the middle-class jobs that the entertainment industry creates, he continued to cite bogus stats about the industry. Repeatedly he referred to the 2.1 million such jobs, despite the fact that the Congressional Research Service has pegged the number at around 374,000 — an order of magnitude off. Blatantly bogus numbers like these have become a hallmark of the content industry efforts to pervert the copyright system, so much so that the Government Accountability Office recommended other government bodies should stop citing MPAA-backed studies.
Dodd’s speech echoed the recent messages from other content industry representatives: the content and the tech industries have to work together, not as adversaries, to make “an Internet that works for everyone.” Here again, the disregard for ordinary users makes a nice commitment ring hollow. For one thing, the content industry missed plenty of opportunities before introducing SOPA and PIPA to get input from Internet users and the tech industry. They even refused to show up at the negotiating table when the tech industry was willing to work with them. But more fundamentally, Hollywood’s new rhetoric reframes “innovation” as “innovation by permission” — and the public is worse off for it.
The fundamental goals of copyright are sound: it’s a good thing when policy promotes the progress of science and the useful arts. But by continuing to reject evidence about how copyright works, by relegating freedom of speech to economic concerns, and by leaving the public out of the discussion, Dodd and the MPAA are working against those noble goals.