Potential US war on Syria based on a snuff movie
The American war footing towards Syria plumbs a new diabolical depth.
Not only is it an act of criminal aggression against an innocent country – the supreme crime according to Nuremberg Principles – but that transgression would itself be based on another vile crime – the deliberate killing of children for propaganda purposes.
The notorious videos purporting to show the half-clothed bodies of dozens of lifeless Syrian children are the central component of US claims for launching a war against Syria. Suspiciously, this footage gained wide circulation on the internet and on international television news bulletins within hours of the alleged toxic gas attack on 21 August near Damascus.
Now it appears that those videos are part of an elaborate, diabolical fabrication, the circumstances of which are very different from what they are meant to assign.
Nobody is questioning the fact that the children are dead. But what transpires is that the children seem to have been murdered by some form of intoxication and that their deaths were then recorded by their killers – with the calculated intention of producing a propaganda video.
That propaganda purports to blame the Syrian government forces of using chemical weapons causing massive civilian casualties. That in turn is aimed at provoking outrage among world public opinion, which would underpin US military intervention on the basis of President Obama’s so-called red line on the use of chemical weapons in Syria.
In other words, the world is being pushed into acquiescing to a US-led criminal war on Syria based on a vile “snuff movie.”
In the world of vice, there can be few acts more criminal and morally depraved than that of making snuff movies. This illegal genre of film is where some unwitting victim is murdered on screen for the perverse gratification of those behind the camera and the eventual underground audience who indulge in such odious entertainment.
Usually, in the making of snuff movies, the persons recording the scene of death are the killers or their accomplices. These movies are, needless to say, highly illegal and confined to a secretive subculture. Those who make snuff movies and watch them are complicit in murder, and the videos are in effect indictable evidence of their crime.
On close examination of the alleged gas attack videos that came out of Syria on 21 August, the blunt assessment is that the footage is nothing less than a snuff movie.
This is the shocking conclusion from an independent study carried out by Syrian Christian leader Mother Agnes Mariam el-Salib. Under the auspices of the Geneva-based International Institute of Peace, Justice and Human Rights, the study concludes that the infamous gas-attack videos showing dead children is a fabrication. That is, the children were not killed, as alleged, by Syrian government forces firing chemical weapons on the Ghouta suburb of Damascus.
According to the authors: “From the moment when some families of abducted children contacted us to inform us that they recognized the children among those who are presented in the videos as victims of the chemical attacks of east Ghouta, we decided to examine the videos thoroughly.”
Mother Agnes’ investigation goes on to say chillingly: “Our first concern was the fate of the children we see in the footages. Those angels are always alone in the hands of adult males that seem to be elements of armed gangs. The children that trespassed remain without their families and unidentified all the way until they are wrapped in the white shrouds of the burial. Moreover, our study highlights without any doubt that their little bodies were manipulated and disposed with theatrical arrangements to figure in the screening.”
The authors add: “Thus we want to raise awareness toward the humanitarian case of this criminal use of children in the political propaganda of the east Ghouta chemical weapons attack.”
Mother Agnes and her co-authors have submitted their findings to the UN Human Rights Committee in Geneva. But, tellingly, the report, which was published earlier this week, has received negligible coverage in the Western mainstream media.
It is not determined who actually killed the children and by what method. Some observers have pointed out that the victims appear to have tourniquets on their arms. That would suggest that they received a lethal injection.
It also appears that the children are not from the location of Ghouta. It is believed that many of them were abducted by the foreign-backed militants during raids on pro-government villages in the Latakia area of northwest Syria during the weeks prior to 21 August.
That confers on the crime in Ghouta on 21 August the most hideous proportions. For what is deduced is that dozens of children were abducted for the fate of cold-blooded murder, to be videoed with the purpose of fabricating a crime falsely attributed to others for propaganda effect – propaganda to precipitate a war.
When we look at the choreographed way in which the US government and its Western allies have reacted to the incident and the videos, it is suggestive of collusion at some level. Several reports have tied the involvement of Saudi, Turk and Israeli intelligence with the supply of toxic chemicals to the foreign-backed militants fighting in Syria for the Western agenda of regime change against the government of President Assad. These intelligence agencies are closely aligned with those of the US, Britain and France.
The fundamental importance of the alleged gas-attack videos to the US and Western case for military intervention in Syria raises the question of how much do these governments know about the exact circumstances of the child deaths that ostensibly occurred in Ghouta on 21 August.
Apart from flawed interpretation of the inconclusive UN chemical inspectors’ report released earlier this week, the other component of the US government’s case for a military attack on Syria are the videos purporting to show the aftermath of a chemical weapons incident in Ghouta.
Appealing to Congress for military strikes on Syria earlier this month, US Secretary of State John F Kerry described those images as “sickening,” and added that “the world must act on such horror.”
Affecting an air of privileged briefing, members of Congress were taken into closed-door sessions. There, they watched the videos showing lifeless children lying in gaunt rooms in an unknown location, apparently having died from exposure to sarin or some other toxic gas.
It appears that US lawmakers viewed the same video footage that the rest of the world has also accessed via the internet and on television news bulletins. The viewing of such distressing scenes paved the way for the US Senate Committee on Foreign Relations to vote for resolution 2021 backing President Obama’s military attack on Syria.
While the momentum for war has abated in the past week because of the Russian-brokered deal to decommission Syrian government chemical weapons, nevertheless the US continues to threaten that military strikes still remain an option on the table.
US-led wars in the past have notoriously relied on false flags and pretexts, such as the sinking of the USS Maine, the Gulf of Tonkin incident and 9/11. But if the US commits to war on Syria, its lawlessness will have reached a new low. In that event, it will be a war of aggression based on a snuff movie.
Finian Cunningham, originally from Belfast, Ireland, was born in 1963. He is a prominent expert in international affairs. The author and media commentator was expelled from Bahrain in June 2011 for his critical journalism in which he highlighted human rights violations by the Western-backed regime. He is a Master’s graduate in Agricultural Chemistry and worked as a scientific editor for the Royal Society of Chemistry, Cambridge, England, before pursuing a career in journalism. He is also a musician and songwriter. For many years, he worked as an editor and writer in the mainstream news media, including The Mirror, Irish Times and Independent. He is now based in East Africa where he is writing a book on Bahrain and the Arab Spring.He co-hosts a weekly current affairs programme, Sunday at 3pm GMT on Bandung Radio.