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Hollywood uses ‘American Sniper’ to destroy history & create myth

By John Wight | RT | January 23, 2015

The moral depravity into which the US is sinking is shown by American Sniper glorifying the exploits of a racist killer receiving six Oscar nominations, whereas ‘Selma’ depicting Martin Luther King’s struggle against racism has been largely ignored.

American Sniper is directed by Clint Eastwood, and tells the story of Chris Kyle, a US Navy Seal who served four tours of duty in Iraq as a sniper credited with 160 confirmed “kills”, and earning him the dubious honor of being lauded the most lethal sniper in US military history.

Played by Bradley Cooper, in the movie Kyle is an all-American hero, a Texas cowboy who joins the military out of a sense of patriotism and a yearning for purpose and direction in his life. Throughout the ‘uber-tough’ selection process, Kyle is a bastion of stoicism and determination, willing to bear any amount of pain and hardship for the honor of being able to serve his country as a Navy Seal – America’s equivalent of the Samurai.

The personal struggle he endures as a result of what he experiences and does in Iraq is not motivated by any regrets over the people he kills, including women and children, but on his failure to kill more and thereby save the lives of American soldiers as they go about the business of tearing the country apart, city by city, block by block, and house by house.

If American Sniper wins one Oscar, never mind the six it’s been nominated for, when this annual extravaganza of movie pomp and ceremony unfolds in Hollywood on February 22, it will not only represent an endorsement of US exceptionalism, but worse it will be an insult to the Iraqi people. In the movie they are depicted as a dehumanized mass of savages – occupying the same role as the Indians in John Wayne Western movies of old – responsible for their own suffering and the devastation of their country, which the white man is in the process of civilizing.

Anything resembling balance and perspective is sacrificed in American Sniper to the more pressing needs of US propaganda, which holds that the guys who served in Iraq were the very best of America, men who went through hell in order to protect the freedoms and way of life of their fellow countrymen at home. It is the cult of the soldier writ large, men who in the words of Kyle (Bradley Cooper) in the movie “just want to get the bad guys.”

The ”bad guys” are, as mentioned, the Iraqis. In fact if you had just arrived in the movie theatre from another planet, you would be left in no doubt from the movie’s opening scene that Iraq had invaded and occupied America rather than the other way round.

Unsurprisingly, the real Chris Kyle was not as depicted by Clint Eastwood and played by Bradley Cooper. In his autobiography, upon which the movie is supposedly based, Kyle writes, “I hate the damn savages. I couldn’t give a flying f**k about the Iraqis.”

It is clear that the movie’s director, Clint Eastwood, when faced with the choice between depicting the truth and the myth, decided to go with the myth.

But it should come as no surprise, given that the peddling of such myths is the very currency of Hollywood. Over many decades the US movie industry has proved itself one of the most potent weapons in the armory of US imperialism, helping to project a myth of an America, defined by lofty attributes of courage, freedom, and democracy.

As the myth has it, these values, and with them America itself, are continually under threat from the forces of evil and darkness that lurk outwith and often times within. The mountain of lies told in service to this myth has only been exceeded by the mountain of dead bodies on the basis of it – victims of the carnage and mayhem unleashed around the world by Washington.

Chris Kyle was not the warrior or hero portrayed in American Sniper. He was in fact a racist killer for whom the only good Iraqi was a dead Iraqi. He killed men, women, and children, just as his comrades did during the course of a brutal and barbaric war of aggression waged by the richest country in the world against one of the poorest.

They say that patriotism is the last refuge of the scoundrel. In the hands of a movie director with millions of dollars and the backing of a movie studio at its disposal, it is far more dangerous than that. It is a potent weapon deployed against its victims, denying them their right to even be considered victims, exalting in the process, when it comes to Hollywood, those who murder and massacre in the name of America.

With this in mind, it is perhaps fitting that Chris Kyle was shot and killed by a former Marine at a shooting range in Texas in 2013. “Man was born into barbarism,” Martin Luther King said, “when killing his fellow man was a normal condition of existence.”

January 24, 2015 Posted by | Illegal Occupation, Mainstream Media, Warmongering, War Crimes | , , , , , , , , | 5 Comments

Hollywood ‘Fight Club’ producer was Israeli spy with nuclear script

RT | November 26, 2013

Arnon Milchan, renowned producer of such Hollywood hits as “Pretty Woman,” “Fight Club” and “LA Confidential”, has come forth with perhaps his greatest story of all: he was an Israeli spy who helped boost the country’s nuclear program in the 70s and 80s.

In an in depth interview broadcast on Monday with Israel’s Channel 2 flagship investigative program ‘Uvda’ (Fact), the 68-year-old producer discussed his involvement in clandestine arms deals and efforts to buy technologies Israel allegedly needed to make nuclear weapons.

The expose followed Milchan’s career from the late ‘1960s and early ‘1970s, when he was a young and successful businessman in the United States who had a close relationship with current Israeli President Shimon Peres.

Peres, who at the time was helping set up the Negev Nuclear Research Center, tasked Milchan with acquiring equipment and information necessary to get the project off the ground.

“Do you know what it was like to be a 20-something guy whose country decided to let him be James Bond? Wow! The action! That was exciting,” the Israeli daily Haaretz cited Milchan as saying. He ran a thriving fertilizer company in Israel before finding success in Hollywood.

The report also outlined how Milchan set up bank accounts and companies in order to facilitate the transfer of materials and equipment through Lakam, Israel’s secretive Bureau of Scientific Relations. At the height of his operations, Milchan was operating 30 firms in 17 different countries.

The acquisition of nuclear triggers for Israel by Milchan’s company, Milco, almost landed him in hot water with the FBI, which discovered they had been shipped to Israel without the proper licensing. The aerospace executive Richard Kelly Smyth, who used one of Milchan’s companies to deliver triggers to Israel, was indicted in 1985 over the affair. Milchan claimed he was completely unaware Israel had ordered the triggers.

“I didn’t even know what triggers were.”

After the trigger incident, which was followed by the 1986 arrest of Jonathan Jay Pollard, a US civilian intelligence analyst who was later convicted for passing classified information to Israel, the Bureau of Scientific Relations was shut down.

Milchan further described how he once persuaded a German engineer to take home plans on how to construct a nuclear facility from a safe where he worked.

Saying the engineer “couldn’t be bought,” Milchan said he talked the scientist into leaving the plans on a table at home and when he went out to dine with his wife, someone would enter the premises and photograph the documents.

He also used his clout in Hollywood to help the South African apartheid regime clear up its international image in exchange for helping Israel acquire uranium.

Arms deals and A-list accomplices

In the 1970s, Milchan also brokered deals for hundreds of millions of dollars between Israel and US companies for helicopters, missiles and other military equipment.

Uvda showed that Milchan’s company at times made as much as 60 percent off the deals, though Milchan insisted on camera that all of the money made it back to Israel.

“I did it for my country and I’m proud of it,” AP cites Milchan as saying.

Once his activities shifted to the silver screen, he continued his clandestine activities and maintained close ties with high-ranking Israeli officials.

Once word spread that Milchan was moonlighting as an arms dealer, many in the industry were reluctant to do business with him.

“In Hollywood they don’t like working with an arms dealer, ideologically,” he said, “with someone who lives off selling machine-guns and killing. Instead of someone talking to me about a script, I had to spend half an hour explaining that I’m not an arms dealer,” The Times of Israel reports.

Milchan said upon arriving in Hollywood, “I detached myself completely from my physical activities to dedicate myself to what I really wanted – filmmaking.”

“(But) sometimes it gets mixed up,” he added.

According to Haaretz, Milchan also actively recruited other Hollywood movers and shakers to get involved in his work, most notably the late director, Sydney Pollack.

Milchan says Pollack knew exactly what he was doing when he allegedly moved to acquire firearms and military hardware for Israel in the 1970s.

“[Pollack] had to decide what he was willing to do and what he was not willing to do. On a lot of things he said no. On a lot of other things he said yes.”

Milchan also admitted trying to use an A-list Hollywood star as bait to lure a US nuclear scientist to a private rendezvous at the actor’s house. The report never clarified whether that meeting in fact took place.

Milchan, a part-owner of Israel’s Channel 10 television company and who founded the New Regency film company, has produced more than 120 movies since the 1970s. He forged an especially close relationship with Robert De Niro, who along with actors Russell Crowe and Ben Affleck, was featured in the program. Milchan also helped bring Brad Pitt and Angelina Jolie together for the film ‘Mr And Mrs Smith.’

November 26, 2013 Posted by | Corruption, Deception, Ethnic Cleansing, Racism, Zionism, Mainstream Media, Warmongering, Timeless or most popular | , , , , , , , , , | Comments Off on Hollywood ‘Fight Club’ producer was Israeli spy with nuclear script